Seven are people and one is done-dirty source material. The blood. So much blood. Writer-director John Patton Ford has misguidedly modernized “Kind Hearts and Coronets,” the classic Alec Guinness ...
What would you do if you had a few siblings standing in the way of you being a billionaire? Definitely not kill them, right? But that’s the story in “How to Make a Killing,” and we’re here with all ...
Margaret Qualley, Ed Harris and Topher Grace also appear in John Patton Ford's reimagining of the classic 'Kind Hearts and Coronets.' By Frank Scheck Trying to find your niche as a movie star isn’t ...
Glen Powell tests the limits of his considerable charisma as a serial murderer in “How to Make a Killing.” It helps that the audience is rooting for this dude from the jump in a darkly comedic ...
It's a watchably weird reimagining of "Kind Hearts and Coronets," though with a lot more than homicide on its mind. The new version, written and directed by John Patton Ford, who made a minor indie ...
"Emily the Criminal" filmmaker John Patton Ford loosely adapts "Kind Hearts and Coronets" for a star-packed outing hobbled by an oddly dull script and a tone that (unfortunately) matches it. There are ...
Forbes contributors publish independent expert analyses and insights. Olivia Singh is a reporter covering TV and film. Glen Powell returns to the big screen with a new thriller that’ll keep audiences ...
Discover What’s Streaming On: If you loved Emily the Criminal, then you should know that the Emily the Criminal writer/director has a new movie in theaters this weekend starring Glen Powell, called ...
The director of the Glen Powell revenge comedy also reveals executives were worried about the leading man changing his look for the role: "He went on a crazy diet and lost a lot of weight. He even ...
All products featured here are independently selected by our editors and writers. If you buy something through links on our site, Mashable may earn an affiliate commission. This film's predecessors ...
Glen Powell’s mega-watt charisma made Hit Man a romantic-crime-comedy hit and Twisters more fun than an unimaginative redux had any right to be. But it couldn’t enliven last year’s creaky Chad Powers ...