Seven are people and one is done-dirty source material. The blood. So much blood. Writer-director John Patton Ford has misguidedly modernized “Kind Hearts and Coronets,” the classic Alec Guinness ...
How To Make a Killing, a dark comedy starring Glen Powell and Margaret Qualley, is new in theaters. How soon will it be available to watch at home? Written and directed by John Patton Ford (Emily the ...
It's a watchably weird reimagining of "Kind Hearts and Coronets," though with a lot more than homicide on its mind. The new version, written and directed by John Patton Ford, who made a minor indie ...
The actor stars in this comedy with a high corpse count, but the movie’s lightness soon becomes forced. By Manohla Dargis When you purchase a ticket for an independently reviewed film through our site ...
As seen from his previous feature, “Emily the Criminal,” filmmaker John Patton Ford knows how to dive into the nastiness of income inequality, and the necessary ruthlessness to get ahead in the rigged ...
Glen Powell tests the limits of his considerable charisma as a serial murderer in “How to Make a Killing.” It helps that the audience is rooting for this dude from the jump in a darkly comedic ...
Becket Redfellow (Glen Powell) is no ordinary convicted man on death row, and not just because he wears a satin slumber mask with his prison coveralls. The story he tells, to a visiting priest (Adrian ...
BOTTOM LINE Despite solid work from Powell, this black comedy lacks bite. Partway through "How to Make a Killing," newly minted Wall Street bro Becket Redfellow (Glen Powell) has a date with young ...
“How to Make a Killing” boasts an opening so strong that it buys enough audience goodwill to coast through nearly its entire running time. That’s priceless in a screwball murder movie in which ...
Forbes contributors publish independent expert analyses and insights. Olivia Singh is a reporter covering TV and film. Glen Powell returns to the big screen with a new thriller that’ll keep audiences ...
"Emily the Criminal" filmmaker John Patton Ford loosely adapts "Kind Hearts and Coronets" for a star-packed outing hobbled by an oddly dull script and a tone that (unfortunately) matches it. There are ...
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