How To Make a Killing, a dark comedy starring Glen Powell and Margaret Qualley, is new in theaters. How soon will it be available to watch at home? Written and directed by John Patton Ford (Emily the ...

Seven are people and one is done-dirty source material. The blood. So much blood. Writer-director John Patton Ford has misguidedly modernized “Kind Hearts and Coronets,” the classic Alec Guinness ...

Margaret Qualley, Ed Harris and Topher Grace also appear in John Patton Ford's reimagining of the classic 'Kind Hearts and Coronets.' By Frank Scheck Trying to find your niche as a movie star isn’t ...

"Emily the Criminal" filmmaker John Patton Ford loosely adapts "Kind Hearts and Coronets" for a star-packed outing hobbled by an oddly dull script and a tone that (unfortunately) matches it. There are ...

It's a watchably weird reimagining of "Kind Hearts and Coronets," though with a lot more than homicide on its mind. The new version, written and directed by John Patton Ford, who made a minor indie ...

What would you do if you had a few siblings standing in the way of you being a billionaire? Definitely not kill them, right? But that’s the story in “How to Make a Killing,” and we’re here with all ...

Glen Powell tests the limits of his considerable charisma as a serial murderer in “How to Make a Killing.” It helps that the audience is rooting for this dude from the jump in a darkly comedic ...

Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment for Paste Magazine, Brightest Young Things, ...

Forbes contributors publish independent expert analyses and insights. Olivia Singh is a reporter covering TV and film. Glen Powell returns to the big screen with a new thriller that’ll keep audiences ...

Discover What’s Streaming On: If you loved Emily the Criminal, then you should know that the Emily the Criminal writer/director has a new movie in theaters this weekend starring Glen Powell, called ...

“How to Make a Killing” boasts an opening so strong that it buys enough audience goodwill to coast through nearly its entire running time. That’s priceless in a screwball murder movie in which ...