Open up any screenwriting book or Google “how to write a script” and you’ll come across a litany of terms both familiar and foreign: “protagonist,” “antagonist,” “beat,” “plot,” “climax,” “inciting ...
When I went to the University of Southern California for my MFA in screenwriting, I took a one-hour TV drama course for my thesis. My thesis adviser said there were three types of TV writers: “big ...
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