Finding Dory, the ingeniously pleasing sequel to Finding Nemo, opens with a scene that merges our affection for a beloved character with a bit of a jolt. We see Dory, the friendly blue tang fish from ...

In Pixar's hands, the ocean — equal parts danger and wonder — is a vast metaphor for the choppy waters of parenting. Cloistered coral reefs of home are surrounded by frightful drop-offs and strong ...

Ellen DeGeneres voices the lovably forgetful Dory in both "Finding Nemo" and its sequel, "Finding Dory." (Disney / Pixar) The prequel to "Finding Nemo" and "Finding Dory" should be called "Finding ...

The finale of the 2003 film “Finding Nemo” offered a happy ending, but only if you ignored the disoriented blue tang in the room. There was something profoundly sad about Dory, the ...

In Disney's new behind-the-scenes look at Finding Nemo and it's sequel, Finding Dory, director Andrew Stanton gives a little background into the origin of the world's favorite short attention spanned ...

I can't help but scoff when people refer to Pixar movies as children's movies.

If a piece of information is repeated often enough, it will eventually be believed, even if there is no evidence for it. One example of this features the friendly clownfish Nemo and his side-kick Dory ...

The prequel to “Finding Nemo” and “Finding Dory” should be called “Finding Ellen DeGeneres.” In conversation Thursday with film critic Justin Chang, “Finding Nemo” mastermind Andrew Stanton revealed ...

In Pixar’s hands, the ocean – equal parts danger and wonder – is a vast metaphor for the choppy waters of parenting. Cloistered coral reefs of home are surrounded by frightful drop-offs and strong ...

In Pixar’s hands, the ocean — equal parts danger and wonder — is a vast metaphor for the choppy waters of parenting. Cloistered coral reefs of home are surrounded by frightful drop-offs and strong ...

In Pixar’s hands, the ocean, equal parts danger and wonder, is a vast metaphor for the choppy waters of parenting. Cloistered coral reefs of home are surrounded by frightful drop-offs and strong ...

In Pixar’s hands, the ocean — equal parts danger and wonder — is a vast metaphor for the choppy waters of parenting. Cloistered coral reefs of home are surrounded by frightful drop-offs and strong ...