The traditional line on “Camelot,” the 1960 adaptation of T. H. White’s “The Once and Future King,” is that the book is weak (sorry, Alan Jay Lerner), but the songs composed by Frederick Loewe (with ...

Merlyn and his magic tricks aren’t the only things that Aaron Sorkin cuts in his revival of Alan Jay Lerner’s book for the 1960 musical “Camelot.” Gone, too, is almost any sense of romance. This new ...

King Arthur is a name that stirs up associations of chivalry, honor, and courtly love—or, if you're a Monty Python fan, knights who say “ni!” and fathers who smell of elderberries. Whether it’s been ...

Performances in N.Y.C. Advertisement Supported by A revival of the 1960 musical with the famously great score and infamously bad book gets a gorgeous makeover that makes no difference. By Jesse Green ...

Long before there was a Marvel Universe, before anyone had heard of Jedi Knights, there was King Arthur. The Arthur universe is more expansive than you may realize – movies, bestselling books, and one ...

(CBS News) Glamorous and dashing as John F. Kennedy appeared in life, he has become even more so in retrospect, thanks in large part to a highly-publicized comparison that evoked an imaginary golden ...

Dakin Matthews, one of the stars of “Camelot” on Broadway, helps younger castmates hone their craft with Shakespeare lessons between shows. Dakin Matthews has taught Shakespeare alongside his ...

“I think Camelot was what Hamilton was when Lin-Manuel Miranda wrote it,” Jordan Donica says. “It was supposed to represent what America could be.” Donica would know. This spring he’ll play Lancelot ...

EDITOR’S NOTE: Analysis by Leah M. Wright, a CNN political historian and an associate professor of history at the SNF Agora Institute at Johns Hopkins University. “American Prince: JFK Jr.” is airing ...

What’s a Camelot without a little magic? Aaron Sorkin works up an answer to that question in the new Lincoln Center Theater production of the 1960 Lerner & Loewe musical, and the result is an ...